DATES

A rediscovered exile work returns to Germany: Erich Eisner’s Cantata Bolivia (1941) blends European craft with Latin American color and a message of memory and hope, performed by Jewish Chamber Orchestra Hamburg and LandesJugendChor Schleswig-Holstein under Emanuel Meshvinski.

At Hamburg’s historic Matthiae Mahl in City Hall, Emanuel Meshvinski conducts the Jewish Chamber Orchestra Hamburg in a ceremonial setting where civic tradition and culture meet. The performance frames the evening musically, connecting the orchestra’s sound to the city’s public life and international outlook.

tonhalleLATE begins with a classical concert by the Tonhalle Orchestra Zurich (Paavo Jarvi) and then flips into a late-night club format with DJs and visuals. In the DJ segment, arrangements by Emanuel Meshvinski help translate concert material into a dancefloor language, bridging the hall’s acoustic identity with electronic energy.

Opening the 2026 season under the theme "Auf[er]stehen", Büschen Meschugge brings Mahler and Kapustin into dialogue with new music by Emanuel Meshvinski, shaped with the Jewish Chamber Orchestra Hamburg. Emanuel leads the project artistically and musically, combining classical intensity with jazz bite and contemporary storytelling in an evening built on contrast and momentum.

AMI TECHNU is JCOHH’s club format where classical meets electronic and the concert turns into a night out, continuing the collaboration with Hamburg’s WEIRD collective. Led artistically and musically by Emanuel Meshvinski, Vol. 2 pushes the crossover further, moving from listening to release without losing the orchestra’s core identity.

Büschen Meschugge lands at TONALi for another chapter of "Auf[er]stehen", spotlighting Jewish voices and treating classical music as a living, social art form. Emanuel Meshvinski leads the evening artistically and musically, shaping a format that is direct, playful, and designed to connect beyond the traditional concert frame.